By Becky Higgins
Книга о скрапбукинге, декорированию фотоальбомов.
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Empedocles ap. Aristotle Rap. 7( = fr. 100 DK, fr. 551 Bollack); see J. Bollack, Empedocle 3. Lesorigines, commentaire 2 (Paris, 1969), 474-478. 7 Baltimore, Robinson; CVA 3(7), pi. 3 (297)1, and text pp. 12-13. Cf. the redfigure cup, Florence, 91288; CVA 4(38) pi. 134 (1706)1; Beazley, ARV 891/2, Para 429. See also W. Deonna, "Vases a surprise et vases a puiser Ie vin," Bulletin de I'lnstitut Genevois 38(1908): 3-29. 16, unattributed. On this type of cup, see CaskeyBeazley, Attic Vase Paintings in the MFA, Boston 1 (Oxford, 1931), 33-34.
The pictorial tradition does not address the libation in this context, reserving it for other settings. So it is all the more striking to find a cup on which a satyr holding a phiale (a shallow bowl) and a maenad with an oenochoe stand to either side of a krater as they pour a libation (fig. ). " in Image et rituel en Grece ancienne, Recherches et Documents du Centre Thomas More 48 (December 1985): 3-16, 35-39. Rudhart, Notions, 242 and n. 6. On the gods that are invoked, see M. P. Nilsson, "Die Gotter des Symposions," I (Lund, 1951), 428-442.
22 They are holding small wine jugs (also wreathed) like those given to children on the festival day of the Pitchers, when the storage jars of new wine are opened. 23 This pro cession is described by the word "komos" written above the inscrip tion kalos neanias (handsome youth) and paian (paean), a hymn in honor of the gods. "Komos" is the root of the verb komazein, "to stage a feast" (see fig. " One painter borrowed the name Philokomos ("the party goer") for one of his drinkers,24 and in other paintings we find the label komarchos, "master of the revels" (fig.
Scrapbooking Secrets 300 All-New Scrapbook Page Ideas by Becky Higgins