By Richard Perez
Encouraged via the underground sexploitation motion pictures of the Sixties, this daring updating of the "roughie" subgenre and lampoon of auteur filmmaking mostly happens in manhattan City's East Village (circa the Bush era), and it chronicles the increase and fall of a special and extreme courting. Dolores and Serena, chemically established, down-and-out artists got down to take regulate in their lives by way of creating a fetish-noir/femdom motion picture. in fact, issues do not precisely prove as planned.
PERMANENT OBSCURITY via Dolores Santana (as informed to Richard Perez)
* a younger bohemian satire,
* a narrative of alienated nonconformists,
* a "girls at the lam" story,
* a sexploitation and S/M romp,
* a spoof of cult star and "true-life" tabloid sensationalism
Written within the three parts:
PERMANENT OBSCURITY: half 1 - THE KINKY HOOK
Whereupon we're brought to Dolores and Serena and their kinky shenanigans.
PERMANENT OBSCURITY: half 2 - unusual HUNGERS
Whereupon Dolores and Serena grapple with relationship/sexuality concerns, life-threatening drug buyers, irreversible funds woes. Culminating in a determined try out at creating a so-called "femdom" film.
PERMANENT OBSCURITY: half three - NO MAN'S LAND
Whereupon Dolores and Serena locate themselves in a spot now not anticipated. specifically, hell.
IS THIS DRUG-ADDLED, FACE-SITTING EXTRAVAGANZA correct FOR YOU?
"Funny, fashionable, and regularly engrossing ... terribly well-drawn and psychologically practical. All in all, it is a tremendously interesting and in addition poignant paintings, and it made me very all in favour of and sympathetic to the worlds of BDSM and of drug-addled dreamers."
--Anna Biller, writer-director of the neo-sexploitation movie, VIVA
"Richard Perez has the ears of the angels--lend him yours."
--Barry Gifford, writer: WILD AT middle, PERDITA DURANGO
"Perez's is a thrilling expertise and his paintings is going a ways past so much of what's released today."
--Henry Flesh, writer: MICHAEL and the Lambda Literary Award-winner,