By Yu-lan Fung, Derk Bodde
The vintage chronicle of chinese language philosophical concept from the 3rd millennium to the 20 th century.
From the sage-kings of historical China to the 1911 overthrow of the oldest monarchical procedure on the earth, chinese language philosophy has developed and stimulated faculties of inspiration worldwide. In an obtainable voice, A brief heritage of chinese language Philosophy basically illuminates Confucianism, Taoism, Mohism, Yin-Yang, and extra. For these drawn to philosophy or Asian experiences, this can be the correct window into historical and smooth chinese language ideology.
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Extra resources for A Short History of Chinese Philosophy
THE BACKGROUND OF CHINESE PHILOSOPHY Chinese Art and Poetry TIle Confucianists took art as an instrument for moral education. The Taoists had no formal treatises on art, bnt- their admiration of the free movement of the spirit and their idealization of nature gave profound inspiration to the great artists of China. 11lis being the case, it is no wonder that most of the great artists of China took nature as their subject. Most of the masterpieces of Chinese painting are paintings of landscapes, animals and flowers, trees and bamboos.
It is stated in that book (eh. u) and Confucius. " The high official was very much pleased with this answer, and instantly appointed the philosopher as his secretary. Since the answer consists of only three words in the Chinese language, this philosopher has been known as the threeword secretary. He could not say that Lao-Chuang and Confucius had nothing in common, nor could he say that they had everything in common. S9 he put his answer in the form of a question, which was really a good answer.
Articulateness and suggestivcncss are, Of course, incompatiblc. TIlc more au expression is articulate, the less it is suggestive-just as the more an cxpression is prosaic, the less it is poetic. The sayings and writings of the Chinese philosophers arc so "inarticulate that their suggcstivencss is ulmost bonndless. Suggestiveness, not articulatencss, is the ideal of an Chinese art, whether it be poetry, painting, or anything else. In poehy, what thc poet intends to communicate is oft-en not what is directly suid in the poetry, but what is not said in it.
A Short History of Chinese Philosophy by Yu-lan Fung, Derk Bodde