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By Alex George

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Everything he'd obvious have been unimaginably assorted from the dry, dour streets of domestic, and to his shock he used to be now not sorry within the slightest. He used to be keen about the beguiling otherness of all of it.

And so all started my grandfather's rapturous love affair with America—an affair that may proceed till the day he died.

This is the tale of the Meisenheimer relatives, instructed by way of James, a third-generation American residing in Beatrice, Missouri. It's the place his German grandparents—Frederick and Jette—found themselves after visiting around the turbulent Atlantic, fording the flood-swollen Mississippi, and being dropped at a unexpected halt by means of the damaged water of the pregnant Jette.

A sturdy American tells of Jette's dogged choice to feed a city sauerkraut and soul foodstuff; the loves and losses of her young children, Joseph and Rosa; and the precocious voices of James and his brothers, occasionally raised in discord...sometimes in ideal concord.

But mainly, A sturdy American is concerning the tune in Frederick's middle, a tune that all started as an aria, used to be jazzed by way of ragtime, and have become an anthem of affection for his followed kingdom that the family members nonetheless hears to this present day.

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Willowdean Chatterson Handy explains that Melville’s story was unlikely, on the basis of information he gathered in 1920, and suspects that it was taken from the Voyages and Travels of Georg H. Von Langsdorff, dated 1813. See Handy, Tattooing in the Marquesas (Honolulu: Bernice P. Bishop Museum, 1922), 5–6, 17. 26. Samuel Otter, “Race in Typee and White-Jacket,” in The Cambridge Companion to Herman Melville, ed. Robert S. Levine (Cambridge: Cambridge University Press, 1998), 12–36. 27. , “Whole Oceans Away,” 291–304.

H. , New York: Viking, 1972). The centrality of this conception of freedom to nineteenth-century American political culture is explored in Wilfred M. McClay, The Masterless: Self and Society in Modern America (Chapel Hill: University of North Carolina Press, 1994). 28. C. L. R. : Dartmouth College Press, 2001), 1. 1 Who Eats Whom? Melville’s Anthropolitics at the Dawn of Pacific Imperialism Kennan Ferguson In no respect does the author make pretension to philosophic research. ” asks Melville, in story and novel.

28. , 296. 29. Other travelers to the Marquesas told similar stories, including one who was forcibly tattooed and another who agreed to be tattooed everywhere except for his face and hands. See Anderson, Melville in the South Seas, 151–153. 30. As Ralph S. Kuykendall notes in The Hawaiian Kingdom, 1778– Who Eats Whom? 41 1854: Foundation and Transformation (Honolulu: University of Hawaii Press, 1938), Paulet was actually demanding British law for British subjects, a 299-year lease on parts of Honolulu, and $100,000.

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A Good American by Alex George

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